In these unprecedented times, artists still create. Dancers, choreographers and teachers are no exception. While the in-person physicality of a dance performance can't be fully recreated, some companies are doing their best.
In a continuing effort to receive support from readers, the Bay Area Reporter has launched its membership program.
A San Francisco dance organization is responding to the national racial justice movement by launching a reparations program for the Black community.
Broadway Bares, the annual striptease music and dance fundraiser for AIDS charities, goes online for a special in-home viewing of the always sold out New York City event.
Choreographer Rory Davis (Baloney and multiple drag shows) enjoyed a few celebrity guests one of his recent 'Roryography' dance classes, including Darren Criss and John Stamos.
In previous years, the annual Fresh Meat Festival's been sold out, so this year the 19th annual diverse shows of transgender and queer performance, music and dance offers a bonus; everyone gets a front row seat! Online, that is.
San Francisco Ballet will stream Helgi Tomasson's 'Romeo and Juliet' in two versions that have already opened online and will run for nearly a week.
Thank you very much, it has been both humbling and encouraging receiving your generous support when so many are also in need of help. So far, we have raised just over $25,000 and are just 15% away from reaching our goal of $30,000.
San Francisco is one of 11 US cities that is fortunate to have a legacy LGBT publication by us, for us, and about us. Help preserve the BAR as an historic and important community institution for the future.
San Francisco Ballet had a triumph last Friday night. It was the best dancing, the best of everything so far this year, new pleasures of many kinds, in their stellar production of Balanchine's "A Midsummer Night's Dream" (1962).
Robert Carter's astounding career with Les Ballets Trockadero de Monte Carlo has pushed his body to perform physical feats beyond that of a steel worker on a daily basis for 25 years.
San Francisco Ballet was back in the Opera House for a two-week run continuing through Sunday, with a pair of great mixed bills. Each was like a three-course meal, each piece a world unto itself, but linked like islands in an archipelago.
Just three months before his death, Paul Taylor, who for years refused to name a successor, surprised the dance world by naming Michael Novak, a company dancer for just eight years, as Artistic Director-Designate.